ERODED EXOFORM is a sculptural body of work that approaches porcelain as a site shaped by pressure, erosion, and intrusion. The forms are conceived as remnants — fragments of a larger system altered by forces that remove, destabilize, and transform mass over time. Rather than functioning as containers, the sculptures operate as terrains: fractured, hollowed, and marked by exposure.

Gold appears within the structures as a foreign substance, entering through cracks and points of weakness. It spreads along edges and settles into ruptures, gradually altering the internal logic of the form. Its presence suggests a slow, irreversible process of takeover, echoing geological intrusion as well as systems of extraction and control.

These works resist ideas of repair or restoration. Instead, they hold space for tension, imbalance, and irreversible change. Positioned between the natural and the artificial, endurance and collapse, ERODED EXOFORM reflects on material memory and the quiet violence embedded in transformation.