Landscape remains the central language of my work, shaped by an ongoing dialogue with Abruzzo—its raw topography, shifting light, and sense of slowness. The region appears not as representation, but as memory embedded in material: eroded surfaces, mineral palettes, and forms that feel weathered, as if shaped by geological forces over time.
Pescara Summer is a seasonal body of ceramic objects developed as an intuitive, lighter response to the main practice, Strata. Working with color and gesture, I treat these works as temporal notes rather than as a separate, self-contained series.